Experimenting With Art And Health
I’m an artist and innovator in the field of art and health, so I like to experiment a lot.
Recently ARTPLACER.com, an art placement company I really enjoy, added patient rooms to their excellent selection of mockup photos. Today my happy evidence-based design art hangs in so many different physical settings, but I have always told people I never considered it a good fit for the inside of a hospital patient’s room.
With ARTPLACER’S new mockup photos, here was my chance to really experiment within the inside of patient rooms, so I did.
When I create evidence-based design art, I think back to when I needed two major surgeries in different parts of my body in less than 30 days. Through this experience I realized there were so many different stages involved—such as the in-hospital pre-operation stage, the in-hospital post-operation stage, and the at-home longterm recovery stage. I also realized how my needs were different during each stage.
Right after surgery, while in my patient room, I felt that my entire body had been seriously assaulted and traumatized—and it had. The hospital, the staff, and my two doctors were all excellent, but that’s just what happens when a human body needs major surgical operations.
While inside my patient room, what I needed most was a total relief from any additional stimulation or trauma. Most of my evidence-based art is strategically and deliberately designed to not stress, but it is also designed to stimulate.
The trick—or I should say the skill—as an evidence-based design patient room artist is to create a work of art that is lovely according to the evidence-based design guidelines but is also one that does not cause too much brain stimulation. The art should be lovely without impact.
Placing different pieces of my art in ARTPLACER’S new hospital rooms, I was able to do some experimenting and here are some things I discovered.
Very much to my surprise, some of my florals did very well, even in a darker patient room. They were lovely and uplifting and fit comfortably in this room without creating too much stimulation to the brain.
I was even more surprised to see that even my bolder evidence-based design florals succeeded. They clearly delivered happiness and cheer without causing any stress or trauma.
Here are some of my other evidence-based design paintings that I thought might just work inside a patient room. I have always felt that my ideal hospital patient room should have carefully selected works of real art on the wall. Bland, boring, stereotypical designs actually frighten me. It’s as if this art makes a kind of heart monitor flatline sound. For me, art is hyper visual but it’s also always full of music and sound.
Did You Know This About Health And Art?
Did you know there is now scientific evidence showing that art heals?
Did you know there is now scientific evidence that art heals?
That’s right. There is now clear and convincing medical evidence that viewing nature inspired compositions plays a key role in creating healing environments for us.
Certain types of art even have the power to—
reduce stress
lower blood pressure
reduce the need for pain medication
be a positive distraction
and more
As an evidence-based design (EDAC) certified artist, I like to read scientific and medical study findings and translate them into works of art.
One way I do this is through my floral designs. Each painting in this category is deliberately and strategically designed to meet one or more evidence-based design standards and guidelines.
My goal for these florals is never to create just a pretty work of art. That’s a given.
My goal is to create art that triggers the brain to create uplifting feelings of happiness and joy. The reaction I look for is not, “Oh, that’s pretty!” The reaction I want to hear as an evidence-based design artist is, “Yes, there’s something about this painting that makes me feel good as I look at it.”
Soft and simple, this evidence-based design sold as soon as it was put on display.
This evidence-based design also sold as soon as it was put on display.
Different aspects of these paintings were considered before painting. Which background color would be upbeat? How should the stems form to show joy and happiness? Where would the dividing lines be between the composition’s interest levels and stress levels? How would fun and happiness be communicated throughout the work of art?
Joy by Dorothea Sandra
